Wednesday, September 21, 2011

Picture This Jack!

For the “Picture This” assignment I chose to the create a picture inspired from the old tale of Jack and the Beanstalk. While reading Molly Bang’s book, I immediately began to consider how and why I would lay out my image. When I began to start the actual process of cutting, gluing, and placing, it all became quite a bit harder than expected. I really wanted to be in touch with my emotions and express that feeling on to my canvas. I wanted the image to really capture my feeling, and the feeling my audience would retain from viewing my image and then connecting it with the story of Jack and the Beanstalk.
First, I had to determine the color of my background. I played around with a few different colors such as, black, white, yellow, light purple, dark purple, blue, etc. I decided to go with a darker purple because the story is very much about curiosity, and the still I wanted to capture was a generalized thought of the entire story as a whole. After deciding on the purple background, I wanted to incorporate the beanstalk. The color of the beanstalk wasn’t as challenging as the background color. I also cut the beanstalk out so the bottom was larger than the top to show scale that the tree was tall. Larger and the bottom and skinnier at top, captured a sense of the tree’s height. I chose to use green, not only because a beanstalk would be a plant, which we most likely be green, but because it is almost a neutral type color. Black and white didn’t work. It didn’t feel quite right to me. Black was too dark, and white was too blah. I didn’t want the beanstalk to be the main eye catcher either, so I went with green. Once I placed the green on the purple background, I felt that it was a good representation of the beanstalk being not a mean or bad source of the story, and not a great or main point of the story either.
Now I thought, how do I relate the giant and Jack from the story into my image? I wanted Jack to be a main visual component, but I also wanted the giant to be a main source too. I decided to incorporate the giant first. I went with my emotions the entire time and the figuring out the giant’s placement just felt like the right thing to do. And plus, I could change anything whenever I wanted. Going forward, I traced the a few items that could represent a giant. I used rectangles, triangles, blobby figures, and a bunch of other cutouts, but I decided I wanted to use a hand. I felt that a hand, a rather larger hand, would best represent the giant instead of trying to use a large human type figure. I traced the hand and did a couple of sketches first. The hand was rounded, as it would naturally be, however, the hand of the giant didn’t seem scary enough for the image. I decided to revert to all the information that Molly Bang wrote in her book. I then decided to make the fingers sharper so they seemed scarier. I made the tips of the fingers to kind of represent and look like sharp knives. I knew immediately though I wanted the hand of the giant to be red! I wanted it to be in contrast with the purple background and the green beanstalk. Red also can represent danger, and the giant isn’t the nicest guy in the world. So, yeah, the giant’s hand is red. I played with the placement of the hand and placing on the top of the frame seemed best because of the hand reaching down, coming out of the sky. Jack was challenging! I wanted him to be placed perfectly and be giving off the perfect vibe from his color. I chose Jack to be yellow, because I’ve read in previous color theory books that nervousness is usually linked to the color yellow. Since Jack isn’t evil, and he’s curious and most likely nervous, I chose yellow. I didn’t want to place Jack too close to the beanstalk because I wanted the image to capture a journey. Moving him back away from the beanstalk gave me a good feeling that represents that Jack was on his way to up the beanstalk… the journey up the beanstalk.
Like I’ve mentioned, this was challenging, but it was fun trying to determine color and shape to explain a story. I feel that going forward, I will take shapes and color more into consideration. Shapes make such a difference! Weird and true.

Monday, September 12, 2011

"Man on Wire" (Response)

First!  I didn't expect this movie to be as moving as it was   :(
I was soooo into this film when I really didn't think I was going to be.  I don't know why, but I'm very critical when it comes to films.  I thought this was going to be more of a fictional film so when I started to watch the beginning I quickly realized it was not.  I do enjoy documentary type films though, so this was a film I enjoyed for many reasons.  I have very close connection to the September 11th events.  I grew up 3 miles from the Lincoln Tunnel, and my entire family worked in NYC during this time.  Anyways, let's not get into that, but, yes, it is very close to my heart and is a big part of my life.  Immediately I felt a connection with the film!  The energy that was put into the completion of Philippe's walk was remarkable.  The project entirely as whole was extremely risky, but also very incredible which makes a very moving story.

The photography that was incorporated and shown throughout the film was also very incredible!  The shots were taken from angles that I cannot even imagine.  Wow, to really be up high on those towers capturing those unbelievable moments is captivating.  The black and white photography really highlights the contrast of the sky in relation with the building and Phillippe.  This is one of the reasons why I love photography.  Philippe and his gang will never, ever, be able to go up on those exact towers and capture that experience in thier lives again... But, they have it on film to refresh their memories and show the world after they've died.  It is a piece of history that will reach and move people with just one photograph.

Observations Continued...

After re-viewing my photos, I wanted to recap where it all originated in retrospect.  The first couple of days of observing, I paid super close attention to how things are all on their own.  I have a great respect for the life that occurs while we, as humans, life our own lives.  It is very important to stop and try to think of all the life that is occurring while we are living.  That sparked my inspiration for my photos for this specific project.  Honestly, I paid less attention to the people around.  I find myself not interested in human activity as I get older.  For as long as I can remember, as a child, I people watched constantly.  As I've gotten older, I pay more attention to all other forms of life.  I believe it is important for our well-being to be connected with other living things on all levels.  After observing and moving on to our carrying the camera procedure, I stuck to my just observing technique, mentioned earlier.  I really wanted to stop and observe, and then capture, the moving life.  This lead me in the direction of capturing water (because of the local weather), capturing smaller forms of life, and how things are left as they are even when we loose sight of it.

The observation article made a lot of sense to me.  I read it twice to really pick up on information I may have missed the first time.  As I continue to photograph, I will keep in mind the tools that I have picked up from reading this article.  I really wish to practice my senses more, even separately aside from just photography.  I want to engage in areas of life that I may miss out on simply because I am focused to my destination. 

Wednesday, September 7, 2011

Mindful Observation: Thoughts and Photographs









Carrying the camera around for days straight helped me realize the living and the happening around me while I am standing still. I paid close attention to details on the ground as I would walk around, this intrigued me the most. I also realized how many different interesting ways water moves when it is effected by weather. It is really a beautiful thing. Acknowledging the life around was very rewarding while engaging in this specific project...