Friday, December 9, 2011

Final Project

Esen Yildirim
Artist Statement

My work explores living areas and objects that still remain alive today throughout the years of their age and decay. I’d like to bring present the neglect of these beautiful structures from a photographic viewpoint from their own period of time.

I am fascinated by black and white vintage photographs and the history that is involved with what we are left presented. The feeling of reminiscence has always inspired my work in photography. These photographs are captured in an essence that delivers the feeling of nostalgia and visually promote an antique feel. The decay and destruction in these current photographs is a natural part of life I have frozen for a certain period of time. The age will certainly advance and the decay will absolutely grow into something larger we can admire in our future.

Today, I’d like to admire the “now,” and let nature enfold the future of these structures.












(There are some additional photographs on this blog.  There are two photos I used in my photo book that are not included in this post.  I lost the edits. Thank you)

Wednesday, November 30, 2011

Critique of Galen's "New Landscape" Photographs

For the “new landscape” photograph assignment, Galen has done a good job producing six prints for the assignment. The idea of the “new landscape” theme is projected clearly within his prints. All of the six prints express the feeling of a modern altered traditional landscape. Some of the prints are stronger than the others in the subject of “new” landscape.
Viewing these six photographs as one whole project, they are very cohesive and deliver a certain message that is understood within the entire six. I think Galen has done a good job with keeping the photographs in a certain range of content that is smoothly sequenced with one another. Meaning, the content within the photographs, match well with one another, and is easily viewable and comprehended as one message, and or, project. I think that is important when delivering an assignment such as this one. Good job with that!
In class, we collectively always express to Galen that his photographs are recognizable due to his geometric style and leading lines that show within his work, I believe this series also carries that style. It is great to see that your specific style also shines through within your artwork. I enjoy how almost each of the photographs have different compositional value. One will contain the road off to the side, power lines off to the side, and power line trees off to the side. This is good framework. Again, like mentioned above, I really believe that the content that you have chosen to capture in these photographs really deliver the message of a changed world on new land. The color range within the photos are also very similar to each other photo, also contributing to the series.
My personal favorites are, the one with the train showing and also the one with the power lines directly in the center of the photograph. I believe I react to these two photographs due to the compositional framework. The reason being, I think that in these two photographs, Galen has captured everything the viewer wants and “needs” to see. I’m not searching for something else to find or look for. Some of the photographs are cropped too short or too small where I find myself wanting to see more sky or more ground. The photograph with the factory and the mountain behind it is good shot, but here is an instance where I would wish to more sky. I feel the mountain is almost cut off. This doesn’t necessary give me the feeling of a “landscape.” But then again, a landscape can be anything, these are just my personal criticisms on this specific photograph.
Overall, Galen has done a great job finding areas and capturing the details of portraying a newly designed landscape. I would like to see these pictures printed larger! I believe that they are intimate because they are smaller, but there is so much detail that I would like to have them visibly larger, also this may give the landscape vibe a boost.
Be careful when cropping and framing and continue with your great leading lines and geometric finds. Good job! Thank you.

Monday, November 28, 2011

Accomplishments: Goals Follow-Up

Goals
-
Goals were taken from my previous post/assignment -

For Within 1 year:
To get an internship, graduate from Penn State University, move back to NJ/NYC, and find a job related to photography or design. Decide which graduate school to go to, then, actually get into graduate school. And, be close enough to go to my parent's house every night for dinner.



Accomplishments

To get an internship:
I have applied for a photography summer internship through my job, and I got the internship! However, I received a notice that since I will not be receiving college credits for it, I have to wait and see if I can get into the program with being technically a “college student.” (I think they need to see how many other applicants suit the job and are actual going to be receiving college credit.) I am still continuing my search for another internship and I will be hearing a decision back from the summer internship the week of December 10th.

Graduate from Penn State University:
All set to graduate in May! (Keeping my fingers crossed)

Move back to NJ/NYC, and find a job related to photography or design: 
I’m moving to Philadelphia in May (and hopefully will be interning at Urban Outfitters). I will be transferring to a different store in Philly through my current job until I find a photography related job in Philadelphia or NYC. I plan to stay there for about a year or so.

Decide which graduate school to go to, then, actually get into graduate school:
I haven’t done much research. However, I have narrowed the area down, and that is definitely New York City. I really, REALLY want to go to Tisch School of Art but they don‘t have a great MFA photography program. There is focus in film/video and much on performance art. I am looking into Parsons, I think I may apply there immediately. I just need to get money for all the applications. All I know is that have to be close to my family. That is extremely important to me. Therefore, my travels are East of here.  



Other Accomplishments

I am taking a portfolio preparation class next semester to complete a portfolio to present while job searching.

I will also be taking an independent study to further develop my skill with a large format camera. Film is direction I’d like to take for my own art.

I have 100% completely decided that I want to teach photography.


Monday, November 7, 2011

Terry Barrett Read Response

    One the statements in this reading that stuck me was “Some of today’s criticisms will eventually become part of art history for future generations long after exhibitions have closed.” Hmm, that was a line that I read over a few times to really try and understand what that could mean. The art that was made yesterday defines the future of art and how people comprehend it. One may criticize a contemporary piece of work that defines a current state of mind or social culture that will pass on to further generations of critiques. What gets created may become visual for others to view and critique, once that work becomes public, it leaves it’s mark in the world.
    I agree with the first few paragraphs in Chapter 3 as well. I believe that every photograph demands interpretation just like any piece of literature or any other form of art. An audience should take time when viewing photography to really gain an appreciation to everything that makes up the photograph. Every photo has something different to say. Or, should I say, every photographer has something to say? We need to always remember that a photograph doesn’t just make itself, there is someone behind the lens that creates that specific shot. “People’s knowledge, beliefs, values, and attitudes-heavily influenced by their culture-are reflected in the photographs they take,” SO IMPORTANT! I hope that as a photographer, I reference these things and they become visible in my own work.
    I think what need to pay attention to when critiquing other’s photographs, is to always speak what I interpret of the photograph as a whole. I want to move away from critiquing technical qualities and go forward in critiquing my personal interpretation from their photograph, because, well, I think that is the most important aspect. It is beyond what is actually in the photograph, but what, me, myself believes is in the photograph.

Fact or Fiction








Wednesday, October 26, 2011

Appropriation: A Tribute to Andy Warhol and Marilyn Monroe





I wanted to re-do something from someone who has already re-done it!  I just thought it would be extra sassy to do so.  So, who else to copy and create from?  I would say the perfect fit is Andy Warhol!  I took the original photos of myself (in hopes to capture a Marilyn Monroe vibe), and the soup can previous to the editing.  Then I spent sometime trying to re-create a silkscreen essence for the finished work.  The one black and white photograph seems odd and out of place in comparison to the rest of the images, however, that actual picture, along with the others, were the main source of my inspiration.  So I added it in.  Plus, while researching photos from the era, many Marilyn Monroe photos had that similar black and white style. So why not?  I say.  I like variety.

Sunday, October 23, 2011

The Adventures of a Photographer by Italo Calvino

The Adventures of a Photographer reminds me in sense to always do (and shoot) what you love. In the story, Antonio shows us this by finding Bice as his subject. He searches for the perfect shot from her and then he falls in love with her not as a person, but her as the subject of his photography and photographs. This is something that I feel can be directly important when working on project. I know that Antonio may have been a little obsessed with his work, but sometimes artists become that way. It isn’t unhealthy, but at the same time, it just happens. We must continue to follow our hearts through the lens, but we can not let it take over our lives and important relationships like Antonio and Bice. I could relate to Antonio in a way. I almost wish that I can devote my entire life to photography and just that. But, realistically at this time, I can’t.

And, on that note, I need to experience love and life that will inspire me to photograph, not to just photograph my love and life now. I can do just that, but then, I will run out of subject and inspiration really fast.

It’s a cycle. But without new experiences, you may be shooting the same roll of film over and over. And over.

Art & Fear

     For as long as I can remember, I have always had a connection with art. Not just the idea of appreciating art, or making art, but feeling as though I was actually art. My idea of “being” art may actually sound strange to you and I will do my best to explain my point of view. Before I began producing drawings and paintings as a young child, even before I understood what art or crafts were, I have a memory of being told that everyone has a creative side no matter what form or medium was used. Everyone thought in a creative matter in some form. I remember my mom photographing me and saying that I was her subject, I remember my brother recording music and saying that I was his inspiration, even as very young child, I had an idea of what art was. So, for many years, I thought I was art too. Once I started to begin my own projects and likings of certain areas of art, I let the idea that I was art disappear. I believe that this is where I lost some important information that could be valuable in my own art.
    I actually read Art and Fear a couple of weeks, and had to take some to think about what I’ve read. I went back and re-read some key points that I had underlined. I realized that I need to dig deeper within myself and re-connect with what is important to me and what I’d like to portray in my art, not just for others, but mainly for myself. I love the idea of critiquing and I wish to always have people around to critique my work. I believe that is very important to get other’s ideas of what they take and understand from the work you have produced. However, I DO NOT believe that it should change the direction you want to travel artistically. Technical aspects of critiquing are always appreciated, but if one doesn’t understand the work, then may be it wasn’t for them to come across. I have to not be feared of this and continue to develop the work I want to produce.
     I find that there are things that hold me back. Time is definitely one of them. The other things that may hold me back are issues that I need to be in tune with somehow and discover what they are. I have tons of ideas and feelings and situations and issues that I want to engage upon with my photography. But the fear? I don’t really know. I need to figure out why there may be a hold somewhere in there stopping me. Art and Fear touches on these subjects extremely well. For me, after reading it, I couldn’t even process one single thought about the whole thing, I had to reevaluate a cluster of things.
     Part of quitting my full time job last summer was so that I can focus more on school. And by school, I mean my photography. However, I also need money to live. My parents are outrageously supportive and offer to help in every way, but I still find myself not being able to take their financial support while I’m even in school! It’s weird with me and them. I see that they work so hard, and I know that they work so hard for their children, but I feel I owe to them to be responsible and not take advantage of them. I spoke to my mom about this situation of me spending time on my art on the plane to Turkey and she wants me to really work as hard as I can while I have the facilities (darkroom) at PSU. I need to take her advice.
     I WANT and NEED so badly to spill my ideas out. I think I just to need to shoot as much as I can without focusing on such quality (like mentioned in the text) and become inspired from there. I believe the more work I do, the more ideas I can come across and the more connected I will be with the camera. I know how much I love photography, and how much I love my OWN photography, I just need to go for it and see where it takes me. The end.

Wednesday, October 19, 2011

Photographer Interview: David Paul Larson

Did you attend any schooling for photography, or any subject of art? Grad school?
Larson: I double majored in Photography and Marketing Communications from Columbia College Chicago.

Did you have any internships prior to obtaining a “real” job or career? If so, did the internship help you learn additional information?
Larson: I assisted top photographers for many years before going on my own.

How long have you been into photography? If your work (job) consists of taking photographs, do you ever spend time on your own artwork/projects? If so, how much time?
Larson: I have been a photographer for eight years. I spend at least 25 days a month working on my own art projects.

Was it hard finding a job in the field of photography?
Larson: Everything about this career is challenging. From starting out in assisting to starting out in photography. You must love this job before it ever gives anything back to you.

If you intend to sell your own photography, how would you go about it? What medium would you choose, digital or framed work? Why?
Larson: I sell framed prints all the time. I license digital images for clients all over the world as well.

What would you consider to be the key to success in the field of photography?
Larson: I would tell every student to assist a top photographer and learn everything they can from them. Then after many years of that…go on their own.

Check Out David Paul Larson:  www.davidpaullarson.com 

Monday, October 17, 2011

Final Project Proposal

I am very fond of nostalgic ideas and concepts. Within the last few years, every since I’ve moved to State College for the University, I have been further away from my comfortable and familiar surroundings. I can see the regional difference and change through my photography. Lately, I have been photographing strange and unfamiliar objects and settings in my local area. I want to capture and explore what I feel is close to me here in State College. For my final project, I’d like to capture what I have become familiar with in this town that I’ve lived in for 3 years now. I want to photograph what has become a part of my life here.
I want to explore this concept here in State College because every visit that I make “home” to New Jersey, every single thing reminds me of something and I feel whole. Even something simple such as making right turn at a traffic light, a pizzeria, a railroad track, and bump on the street, remind me that I am home. Every piece of the area is a part of me. I feel comfortable and linked to the area. I want to find my mark here in State College. I want to research where I belong here and what makes me a part of this town.
I began to feel this way when I returned back from Turkey. When I got off the plane into New York, I felt like I was home. Then when we drove to my parent’s house, which is also my house too, I surely felt like I arrived home. After leaving NJ to return back to school here in PA, I realized that I began to feel like I was also “home” again. I want to figure out why and what landmarks make me feel this way. I want to document and photograph my established life here in State College though the lens. It seems like it would be a fun journey and I feel I have a lot to learn about myself. I believe my camera will help me decide how and why I am a part of this town now.

Some Internship Links

http://www.internships.com/

http://www.internshipprograms.com/

http://www.summerinternships.com/

http://www.summerinternships.com/photography-internships/

http://travel.nationalgeographic.com/travel/traveler-magazine/about-us/photo-intern/

http://www.ed2010.com/ed-campus/internships/list

http://www.cpw.org/Internships/pages/interns.html

Vikram Pathak Interview

Vikram Pathak Interview

[“Let’s create together,” is fashion photographer Vikram Pathak’s mantra. He lives it, he breathes it, he shoots it, he captures it. A Bombay native, Pathak spend the last decade shooting fashion in the landscapes in Hollywood.]


Did you attend any schooling for photography, or any subject of art? Grad
school?

Vikram Pathak: No i have not attended any Photography school ever. I have experience in theater, acting etc and have a Masters in macro Economics From Bombay
University,India.


Did you have any internships prior to obtaining a “real” job or
career? If so, did the internship help you learn additional information?

Vikram Pathak: Yes i have assisted 2 photographer in Bombay and that what really help you to understand all about it .

How long have you been into photography? If your work (job) consists of
taking photographs, do you ever spend time on your own artwork/projects? If so,
how much time?

Vikram Pathak: I have been shooting digital for 4 years and in photography for 12 years and yes I shoot a lot for myself.

Was it hard finding a job in the field of photography?
Vikram Pathak: Well i have never had a job in this field as in always a freelancer.

If you intend to sell your own photography, how would you go about it?
What medium would you choose, digital or framed work? Why?

Vikram Pathak: Would consider all the mediums if I decide to do so.

What would you consider to be the key to success in the field of
photography?

Vikram Pathak: Consistency , Discipline , Hardworking , Networking , the right balance of Art and commerce.

Vikram Pathak currently lives and works in New York City.

Visit his website and check out his work:  http://www.vikrampathak.com/about/

THE BIO! & The Goal of Life

Esen Yildirim Biography

Quietly storming from Northern/Central New Jersey, Esen Y. is a female artist who has devoted her time and her education to the field of photography. Esen has been interested in the Arts since her teenage years. Studying Clothing and Textiles in high school, then obtaining an Associate’s Degree in Photography and Film, she has continued to apply her passion for photography into further schooling. Esen is currently finishing up a Bachelor’s Degree in the Arts at The Pennsylvania State University and has further plans to attend graduate school for Fine Art Photography.

Esen Y. comes from a family of four and is 1st generation Turkish American. Her parents decided to come to The United States in the early 70’s to pursue the “American Dream.“ Her Turkish heritage and culture is one of the main sources of her inspiration. After finishing her last semester at Penn State, Esen Y. has plans to begin a project, starting in Istanbul and moving west of Turkey, documenting the social and religious changes the country is currently facing.

Esen Y. is currently living in State College, Pennsylvania and intends to move back to her home of New Jersey after college and continue to study and live in her own world of photography.

Goals

Within 1 year:  To get an internship, graduate from Penn State University, move back to NJ/NYC, and find a job related to photography or design.  Decide which graduate school to go to, then, actually get into graduate school.  And, be close enough to go to my parent's house every night for dinner.

Within 5 years: Living and working in NYC (or Philadelphia, but mainly on the East Coast) with a Master's Degree in Photography!  (That would be awesome!)  Having an established portfolio.

Within 10 years:  Still working on my own photography, and hopefully teaching at a college somewhere.

Within my entire time of existence:  To be happy.

Saturday, October 1, 2011

Turkiye!

So, I'm still in Istanbul and it's been way too long before I have decided to write a blog!  The first couple of days were super hectic because of the wedding.  The wedding ended up being fun, I got to see most of family that lives in Turkey and that is always a good thing.  The Sunday after the wedding was a rest day for me.  I had jet lag like crazy.  Turkey is 7 hours ahead of PA, so my time was really off.

The next couple of days were devoted to some financial junk that needed to taken care of, and then, the tourist events began!  I visited the Blue Mosque, Topkapi, and the wonderful Hagia Sophia!  It was the first time I visited the Hagia Sophia and it was spectacular!!!  I wish you guys could have seen it too.  I have a ton of pictures to show everyone, but the laptop I have here cannot handle RAW images at all, so I have to wait until I get home to dump the images onto my other computer.

The bad news is, well the really bad news, they wouldn't let me take the 4x5 on the plane!!!  It was considered another "carry on" and if I chose to take the camera, then I had to leave my actual carry on which was full of wedding gifts!  I tried to send it with the other luggage but it was $200 plus extra cash for the weight!  Oh, and, they only actually accepted cash, no credit.  UNBELIEVABLE!  It ruined my trip, and also ruined my 4x5 project :(

It is now Saturday night here and I fly home on Tuesday.  Everyone's pictures looked great and I wish I could have been there for the critique.  Can't wait to see everyone, I miss the states!  See you guys on Thursday!

Wednesday, September 21, 2011

Picture This Jack!

For the “Picture This” assignment I chose to the create a picture inspired from the old tale of Jack and the Beanstalk. While reading Molly Bang’s book, I immediately began to consider how and why I would lay out my image. When I began to start the actual process of cutting, gluing, and placing, it all became quite a bit harder than expected. I really wanted to be in touch with my emotions and express that feeling on to my canvas. I wanted the image to really capture my feeling, and the feeling my audience would retain from viewing my image and then connecting it with the story of Jack and the Beanstalk.
First, I had to determine the color of my background. I played around with a few different colors such as, black, white, yellow, light purple, dark purple, blue, etc. I decided to go with a darker purple because the story is very much about curiosity, and the still I wanted to capture was a generalized thought of the entire story as a whole. After deciding on the purple background, I wanted to incorporate the beanstalk. The color of the beanstalk wasn’t as challenging as the background color. I also cut the beanstalk out so the bottom was larger than the top to show scale that the tree was tall. Larger and the bottom and skinnier at top, captured a sense of the tree’s height. I chose to use green, not only because a beanstalk would be a plant, which we most likely be green, but because it is almost a neutral type color. Black and white didn’t work. It didn’t feel quite right to me. Black was too dark, and white was too blah. I didn’t want the beanstalk to be the main eye catcher either, so I went with green. Once I placed the green on the purple background, I felt that it was a good representation of the beanstalk being not a mean or bad source of the story, and not a great or main point of the story either.
Now I thought, how do I relate the giant and Jack from the story into my image? I wanted Jack to be a main visual component, but I also wanted the giant to be a main source too. I decided to incorporate the giant first. I went with my emotions the entire time and the figuring out the giant’s placement just felt like the right thing to do. And plus, I could change anything whenever I wanted. Going forward, I traced the a few items that could represent a giant. I used rectangles, triangles, blobby figures, and a bunch of other cutouts, but I decided I wanted to use a hand. I felt that a hand, a rather larger hand, would best represent the giant instead of trying to use a large human type figure. I traced the hand and did a couple of sketches first. The hand was rounded, as it would naturally be, however, the hand of the giant didn’t seem scary enough for the image. I decided to revert to all the information that Molly Bang wrote in her book. I then decided to make the fingers sharper so they seemed scarier. I made the tips of the fingers to kind of represent and look like sharp knives. I knew immediately though I wanted the hand of the giant to be red! I wanted it to be in contrast with the purple background and the green beanstalk. Red also can represent danger, and the giant isn’t the nicest guy in the world. So, yeah, the giant’s hand is red. I played with the placement of the hand and placing on the top of the frame seemed best because of the hand reaching down, coming out of the sky. Jack was challenging! I wanted him to be placed perfectly and be giving off the perfect vibe from his color. I chose Jack to be yellow, because I’ve read in previous color theory books that nervousness is usually linked to the color yellow. Since Jack isn’t evil, and he’s curious and most likely nervous, I chose yellow. I didn’t want to place Jack too close to the beanstalk because I wanted the image to capture a journey. Moving him back away from the beanstalk gave me a good feeling that represents that Jack was on his way to up the beanstalk… the journey up the beanstalk.
Like I’ve mentioned, this was challenging, but it was fun trying to determine color and shape to explain a story. I feel that going forward, I will take shapes and color more into consideration. Shapes make such a difference! Weird and true.

Monday, September 12, 2011

"Man on Wire" (Response)

First!  I didn't expect this movie to be as moving as it was   :(
I was soooo into this film when I really didn't think I was going to be.  I don't know why, but I'm very critical when it comes to films.  I thought this was going to be more of a fictional film so when I started to watch the beginning I quickly realized it was not.  I do enjoy documentary type films though, so this was a film I enjoyed for many reasons.  I have very close connection to the September 11th events.  I grew up 3 miles from the Lincoln Tunnel, and my entire family worked in NYC during this time.  Anyways, let's not get into that, but, yes, it is very close to my heart and is a big part of my life.  Immediately I felt a connection with the film!  The energy that was put into the completion of Philippe's walk was remarkable.  The project entirely as whole was extremely risky, but also very incredible which makes a very moving story.

The photography that was incorporated and shown throughout the film was also very incredible!  The shots were taken from angles that I cannot even imagine.  Wow, to really be up high on those towers capturing those unbelievable moments is captivating.  The black and white photography really highlights the contrast of the sky in relation with the building and Phillippe.  This is one of the reasons why I love photography.  Philippe and his gang will never, ever, be able to go up on those exact towers and capture that experience in thier lives again... But, they have it on film to refresh their memories and show the world after they've died.  It is a piece of history that will reach and move people with just one photograph.

Observations Continued...

After re-viewing my photos, I wanted to recap where it all originated in retrospect.  The first couple of days of observing, I paid super close attention to how things are all on their own.  I have a great respect for the life that occurs while we, as humans, life our own lives.  It is very important to stop and try to think of all the life that is occurring while we are living.  That sparked my inspiration for my photos for this specific project.  Honestly, I paid less attention to the people around.  I find myself not interested in human activity as I get older.  For as long as I can remember, as a child, I people watched constantly.  As I've gotten older, I pay more attention to all other forms of life.  I believe it is important for our well-being to be connected with other living things on all levels.  After observing and moving on to our carrying the camera procedure, I stuck to my just observing technique, mentioned earlier.  I really wanted to stop and observe, and then capture, the moving life.  This lead me in the direction of capturing water (because of the local weather), capturing smaller forms of life, and how things are left as they are even when we loose sight of it.

The observation article made a lot of sense to me.  I read it twice to really pick up on information I may have missed the first time.  As I continue to photograph, I will keep in mind the tools that I have picked up from reading this article.  I really wish to practice my senses more, even separately aside from just photography.  I want to engage in areas of life that I may miss out on simply because I am focused to my destination. 

Wednesday, September 7, 2011

Mindful Observation: Thoughts and Photographs









Carrying the camera around for days straight helped me realize the living and the happening around me while I am standing still. I paid close attention to details on the ground as I would walk around, this intrigued me the most. I also realized how many different interesting ways water moves when it is effected by weather. It is really a beautiful thing. Acknowledging the life around was very rewarding while engaging in this specific project...